Showing posts with label Piotr Domalewski. Show all posts
Showing posts with label Piotr Domalewski. Show all posts

Monday, March 14, 2022

Short Takes: ‘Operation Hyacinth’ (2021) ★★★★

Promotional poster for HIACYNT (a.k.a. OPERATION HIACYNTH)
A heterosexual police officer goes undercover in the gay community to solve a string of murders targeting homosexuals, and soon finds himself pushing himself further and further to not blow his cover (so to speak). No, they didn’t remake William Friedkin’s 1980 film Cruising; this is the set-up for the much more recent, and much more dour Operation Hyacinth (a.k.a. Hiacynt), director Piotr Domalewski’s 2021film currently streaming on Netflix.

Though I flippantly compared it to Cruising, Operation Hyacinth has more in common with the paranoid political thrillers of the 1970s—like a homoerotic version of The Parallax View, or Three Days of the Condor if Jan Michael-Vincent were cast in the Faye Dunaway role (you’re welcome.)

Robert (Tomasz Zietek) is a young officer on Warsaw’s police force in 1985, when Poland was still a communist country and being an out homosexual meant having a target on your back (not that it’s much better today). At the beginning of the film Robert and his boorish partner Wojtek (Tomasz Schuchardt) are investigating the murders of two gay men. The murders are quickly pinned on a pimp who crossed paths with both victims. Robert, however, isn’t convinced they got the right guy. He appeals to the captain (Marek Kalita) to leave the case open for further investigation. The captain—also Robert’s father—tells him to take the win and move on. Robert instead elects to conduct a more thorough investigation on his own.

It’s during a raid of a notorious Warsaw tearoom—part of the real “Operation Hyacinth”—that Robert meets Arek, one of the fleeing “suspects.” When young art student mistakenly assumes Robert is also running from the police and not chasing him, Robert lets the assumption stand and begins cultivating Arek as an informant. That Arek quickly develops feelings for Robert is no surprise (Zietek does rock that mustache), and Robert exploits that attraction. But as the movie progresses, Robert—who’s engaged and regularly hooks up with his fiancée Helinka (Adrianna Chlebicka)—begins to regard Arek as more than just an informant.

Though Operation Hyacinth is primarily a police procedural, the movie’s setting makes the gay romance just as tense. Robert not only runs the risk of his identity being found out by Arek, but the risk of being outed to his colleagues and family is even greater. A scene of Robert and Arek narrowly avoiding discovery by Robert’s father are just as suspenseful as when Robert is almost discovered by the suspected killer he’s investigating.

Operation Hyacinth reassured me that not everything on Netflix sucks, as well as reminded me that 365 Days is not representative of Polish cinema. It also provides me an opportunity to show readers that I can give a movie more than three stars. Thriller fans, be they LGBTQ or straights who don’t shudder at the sight of two dudes doing it, should consider giving this one a watch. Just be warned that it gets pretty grim. As much as I liked it, I couldn’t help wishing it, too, had a WTF interrogation scene like Cruising, just to lighten the mood.